Tag Archives: environmental justice

Food Insecurity in Native Communities

In this post, The Repatriation Files offers links to some of the most recent reporting on the effects of the pandemic on food insecurity in Native American communities.

“Native communities (both urban and rural) are often invisible in “normal” times. This is exacerbated in times of crisis. Native communities are ripe for the effects of COVID-19 to intensify at extraordinary levels”

First Nations Development Institute

As the website Health Affairs reports:

Native Americans have many of the risk factors that put them at higher risk for severe illness from COVID-19. Heart disease, cancer, unintentional injuries, and diabetes are leading causes of death among AI/AN and lead to a life expectancy that is 5.5 years less than that for the US all-races population. Natives are twice as likely as whites to have diabetes. Native people die from diabetes at a rate that is 189 percent higher than that for other Americans. In addition, 28.6 percent of AI/AN under age 65 do not have health insurance.

https://www.healthaffairs.org/do/10.1377/hblog20200331.659944/full/

Marlysa D. Gamblin, writing for Bread for the World, reminds her readers,

Although they were the first communities in what is now known as the United States, Indigenous communities in urban and rural areas are often the last remembered in public policy. This is true particularly in times of crisis, including the current COVID-19 pandemic. As of April 14, 2020, the Indian Health System had confirmed more than 1,100 cases of COVID-19 and more than 20 deaths. In addition, Indigenous people living in urban areas, including Salt Lake City, San Jose, and Seattle, are contracting the virus at high rates. These statistics are expected to continue to worsen.

https://www.bread.org/blog/race-hunger-and-covid-19-impact-indigenous-communities

Olivia Chan and Jamila Taylor of The Century Foundation write,

Although racial data on testing, hospitalizations, and deaths due to COVID-19 are still incomplete, early warnings and reports have shown that low-income, Black, Hispanic, and Native communities have been hit the hardest. Many in these groups are frontline and essential workers who are put at risk when they use public transportation or go to work. Many also live in multigenerational homes, where a working-age adult exposed to the virus could pass it on to seniors and others in their household.

https://tcf.org/content/commentary/covid-19-lays-bare-vulnerabilities-u-s-food-security/?agreed=1

Click this link for a PDF from First Nations Development Institute: https://www.firstnations.org/wp-content/uploads/2020/04/COVID19-and-Native-Communities-4.17.20_DIGITAL_IS.pdf

Click to access COVID19-and-Native-Communities-4.17.20_DIGITAL_IS.pdf

How Native Americans Are Fighting a Food Crisis

From the New York Times

At Pine Ridge Reservation, Milo Yellow Hair is growing seedlings of hearty corn to plant in people’s yards. Milo Yellow Hair.

 

 

As the coronavirus limits access to food, many are relying on customs, like seed saving and canning, that helped their forebears survive hard times.

Source: How Native Americans Are Fighting a Food Crisis

Powerful portraits of indigenous peoples of the Amazon and the sacred territories they defend

Photo: Pablo Albarenga

from The Washington Post

A photo essay underscoring the powerful bond between native peoples of the rainforest and the territories they are called to protect.

Source: Powerful portraits of indigenous peoples of the Amazon and the sacred territories they defend

The Midwest and Mississippi: Keyword, RECREATION / RE-CREATION

By Andrew Freiman

Recreation: “the action or process of creating something again”

1.

The Living Webster Encyclopedic Dictionary of the English Language says that recreation is “[a]musement or diversion which gives enjoyment; refreshment of the strength of spirits, as after toil; anything providing entertainment or relaxation” (801). The Oxford Dictionary is more to the point, saying simply “[a]ctivity done for enjoyment when one is not working”, while quickly adding the second definition “the action or process of creating something again” as well as  “a re-enactment or simulation of something”.

Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

The term had a steady if shallow trend during the 19th century only to explode at the turn of the 20th as a reaction to growing trends in employment, labor, a slowly rising class consciousness, and the notion of leisure time–that free stuff, outside the confines of work, that allow some folks to further define who they are. Not just a tailor, but one who plays handball. Not just an investor, but one that enjoys motoring on the weekends and holidays. There were of course other uses of the word that sought to help individuals internally, to heal their bodies or bring peace to their minds. A midcentury anthology puts it this way: “Recreation is frequently used to help attain other ends such as healing the sick, rehabilitating the injured, and helping the delinquent” (Brightbill 51). Brightbill continues to stress his case by noting that[a]s far as individual need is concerned, recreation is often the only outlet for self-realization and self-discovery. It gives to human beings the chance to create, to express, to serve, and to gain, and results in personality growth and development” (52). So, recreation is a reaction to labor, a utilization of free time, a way to define the self, even heal the self, maybe even foundational to the self in general. We cannot forget the second definition offered by the Oxford Dictionary “the action or process of creating something again” and “a re-enactment or simulation of something” these two ideas, related as they are, will become useful later on.

We should stress what may already be obvious, recreation at the turn of the 20th century was something reserved for a specific group of Americans. White, some degree above the economic nomination of “lower class,” often male citizens enjoyed this form of self-realization. Others worked more often at more difficult jobs, or were banned from or physically and culturally removed from the places in which recreation could happen. Pools and parks were segregated. Racist practices on public roadways made motoring while a person of color difficult if not dangerous. Thanks to the Dawes Act of 1887 National Forests were cut out from already existing, legally documented tribal reservations. By the 1930’s “the amount of land owned by Indians had fallen to 46 million acres, a reduction of ⅔. Some tribes lost 95% of their reservation lands because of the Dawes Act” (McAvoy 82). These lands became mythologized in a national American identity attained through the recreational outlets of hiking, camping, and canoeing, among others. Non-white communities found it difficult not only to find the time for the processes of recreation, but also found it difficult if not impossible to find the space for such things to occur.

For many in Native American communities the idea of leisure time or recreation in general might not directly square with the larger understanding of the terms. This is because there is often little difference between work and leisure activities (McAvoy 81). Furthermore, there doesn’t seem to be much fragmentation of the human experience into distinct categories such as work, leisure, family, and spiritual. Instead, many of the activities, especially those that may be called leisure activities like hunting, fishing, and berry picking, seem to be wrapped up in a close association with sustenance, gathering activities, leisure, family, culture and tradition. Many of the activities American Indians participate in are closely related to traditional activities Indian people have done for centuries (81).

Ojibwe family, circa 1913 (labeled “Typical Indians” by the non-Native photographer). Library of Congress, Prints and Photographs Division LOT 12880 [P&P;]

When removed from their historical lands, when their government appointed lands are further reduced, when their foodways are disrupted by logging, white settlers, the draining of swamps or the rerouting of rivers, what then happens to the the re-creative tasks Native American populations depend on?

A few news clippings from the late 19th century may give us an answer, and later may lead us to new possibilities in the present moment. Here we will focus on canoeing as it was something very quickly and successfully appropriated from Indigenous communities by whites, who utilized it for recreational activities ignoring the concerns of sustenance, family, culture, and tradition. On June 19th, 1880 the New York Times ran an article titled “The Canoe ‘Boom’” that explained the new recreational craze of the moment. The author quickly informs us that “Canoeing had been for some years a very popular sport in England before it was introduced into the United States,” ignoring the Indigenous communities of North America which created the craft and taught whites how to pilot them. Later the writer doubles down on this erasure by stating that it was only 8 years before, in 1872, that canoeing “became naturalized [in New England] by the founding of the New-York Canoe Club,” as if it too, like all of white America, was a recent immigrant from the Old World. The author makes a stark distinction between Indigenous birch bark canoes and those used by the white canoers of New England, otherwise known as “the canoe of civilization”; in reality it isn’t that the canoe didn’t exist before 1872, but that the canoe, being so “primitive,” didn’t matter at all, was entirely inconsequential.

Frank Yielfs & Geo. Newhouse of U[…] Canoe Club at Regatta, [8/23/24]. Library of Congress Prints and Photographs Division, LC-F8- 31916 [P&P]

Of this brand new world of American Canoeing we are happily informed that “within the last two years [1888-1890] the number of American canoeists has grown to very respectable dimensions. There are now five flourishing canoe clubs, and a half dozen builders who find their time fully occupied in building canoes”. In Canoe and Canvas: Life at the Encampments of the American Canoe Association, Jessica Dunkin makes it very plain how the early canoe clubs were indebted to Indigenous realities:

Members of the ACA appropriated Indigenous technologies and practices as they camped and canoed at the annual meets. Occasionally, they acknowledged their debt to Indigenous designers, but mostly they claimed their boats and styles of camping bore little resemblance to the ‘crank’ craft and rudimentary living arrangements of ‘Indians,’ both having been improved, in their eyes, by modern materials and methods. The canoeists did not just benefit from the ingenuity of Indigenous peoples, they were also beneficiaries of the colonial system that sought to contain, assimilate, and eradicate the continent’s original inhabitants. In particular, colonial policies and structures worked to ensure that white folks had places to play that were free of Indigenous peoples (9).

“Tenting on Historic Ground” (New York Times, July 15th, 1894) retells this story in ways that accentuate the violence of this cultural appropriation and cultural erasure. In describing the area where the American Canoe Club is held, the article describes the first encounter between Native populations and Hendrik Hudson and his crew of explorers  in 1609. Anchored off Verplanck’s Point on the  Hudson River,

Hudson was visited by some of the Indians, who were struck with wonder at the superiority of his craft to their own canoes and marveled at the peculiar weapons of the strangers. One of the Indians lingered in a canoe beside the vessel with evidently thievish intent, and, although warned away, watched his opportunity, and, climbing up the rudder into the cabin window, stole a pillow of a few articles of wearing apparel. He was discovered by the mate with his plunder and shot. The other Indians fled in alarm, some of the them in their terror leaping into the river. The ship’s boat was sent out to recover the stolen articles, when one of the Indians in the water seized hold of the boat with the intention, as was believed, of overturning it. A stroke from the sword of the cook cut off his hands, and he was drowned. This was the first Indian blood shed during the voyage.

This “Indian blood” serves to consecrate the ground on which “the American Canoe Association has pitched its tents.” An act of violence has rendered this location “historic ground, and a place which for the purposes desired [canoeing] cannot be surpassed anywhere.”

So, what happens to Native American populations when their recreational ability is erased from history, and they themselves are erased from the space where recreation happens? A possible answer could simply be that whites put themselves in the fabricated absence. Where agency is taken away by Native American hands, all that remains are the hands of the whites that stole the agency in the first place.

Still, we cannot forget that our keyword is of two parts, two definitions. The second definition of recreation should offer us hope: “the action or process of creating something again,” “a re-enactment or simulation of something”.

2.

The Chicago Canoe Club was created under the auspices of the Chicago American Indian Center in 1964 (AIC), eighty-four years after the American Canoe Association. Instead of being exclusionary, the Chicago Canoe Club was not only inter-tribal, but also welcomed and worked with white Americans; Ralph Frese a local canoe builder (and co-founder of the club) worked closely with group members to create a fleet of fiberglass birch bark canoes. The birch bark canoe, the same feared as primitive by the white hobbyist of the late 1800s, was the traditional canoe of the Potawatomi Indians in and around the area of present day Chicago. For the Potawatomi it wasn’t a tool for recreation but instead was an integral part of survival. John Low (Pokagon band of Potawatomi Indians) details the cultural importance of the canoe when he writes that “[t]he birch bark surrounded its occupants and carried them safely from village to village and facilitated friendships, social interaction and inter-tribal circulation. In a region of numerous, streams, lakes, and rivers, the canoe served the native vehicle on indigenous highways” (Vessels 7). The importance of birch bark canoes are not only immediately material but are also vital parts of the oral histories of the Odawa, Ojibwe, and Potawatomi people (6). The canoes even have a profound historical importance: “Some oral histories recount that they were the mode of transport for their great migration west at the behest of prophets five hundred years ago or more from the Atlantic Seaboard to the land where food grows on water (wild rice).”

Dr. John Low (Potawatomi) and William Derrah introduce the group to the Ralph Frese fiberglass reproduction canoe.

A birch bark/fiberglass canoe may give some pause, but in terms of re-creation there is a certain poetry to the material. According to Low,

[Leroy] Wesaw [a founding member, Pokagon Band Potawatomi]  and the Canoe Club favored the craft designed by Ralph Frese to represent the Algonquin canoe because of its style of their vessels; it was a celebration of Indian technology and Indian heritage. Frese’s fiberglass canoes, complete with simulated pitch, the texture of birch bark, and decorative etchings, were purposefully designed to represent the past. However, the material was contemporary and practical. Fiberglass enabled the production of enough canoes for the club members. Wesaw and the rest of the Canoe Club membership made good use of the opportunity afforded by Frese’s canoes. 

Whether or not it was fiberglass made to look like birch bark or actually birch bark that kept canoe club members afloat, the effect was the same–pride, happiness, connection. According to club member Louis (Bird) Traverzo (Lac Courte Oreilles Band, Ojibwe), the Chicago Canoe Club “promoted strong families within the Chicago Indian community by fostering a sense of community and camaraderie. ‘It reinforced a pride in family and being Native’” (Imprints). The Chicago Canoe Club’s main concern wasn’t a technical authenticity, but Indian pride and dignity. Leroy Wesaw, the club’s lifeblood, described the purpose of the club simply “Canoeing serves not only as good exercise and fun for the participants […] Like almost everything an Indian family does, it is aimed at preserving our Indian heritage.” Existing from 1964 to 1972 “the Chicago Canoe Club was not only the most popular sport and recreational activity sponsored by the AIC, but it also became the public face of Indians thriving in Chicago.”

Leroy Wesaw
“Canoeing serves not only as good exercise and fun for the participants […] Like almost everything an Indian family does, it is aimed at preserving our Indian heritage.”

The re-creation of Indigenous water-based recreation does not end here. Vicente Diaz (Filipino-Pohnpeian) is doing important trans-indigenous work in and out of the classroom in Minnesota. Diaz is presently working on a project that “involves a long-term program of cultural revitalization of canoe voyaging and knowledge of land, water, and skyways in the Caroline islands and in Dakota homelands in Rural western Minnesota (Diaz 11). Diaz is connecting indigenous people through water and the use of their specific craft and star maps, while also bringing the canoe and those that would be re-created through it into virtual reality (Tynjala). On the Pacific coast there is the Healing of the Canoe project, a “collaboration among the Suquamish Tribe, the Port Gamble S’Klallam Tribe, and the University of Washington Alcohol and Drug Abuse Institute (ADAI)”. The Healing of the Canoe project is “based on the traditional Coastal Salish canoe journey, [which] was identified as the backbone of the intervention” which involves a curriculum centered on Indigenous knowledge and traditions seeking to prevent drug dependency in indigenous youth  (Healing). And, of course, there are still other examples not covered here.

We should stress that indigenous recreation/re-creation takes on many forms. Every pow-wow, every stickball game, in fact every iteration of Native American life in the present day is a re-creation of white settler colonialism set out to and still seeks to destroy. It is in this way that recreation in Native American communities battles some of the same demons that white recreationists fought against at the turn of the 20th century — alienated labor, industrialization, a growing consciousness of self, a desire to mend the spirit that the predominate culture sought to destroy. The differences are many, for our purposes here, where white recreation erases and reframes a white hegemonic mythos, Native American recreation re-creates and re-affirms lifeways, bringing all different types of communities together.

 

Works Cited

Brightbill, Charles K. & Harold D. Meyer. Recreation: Text and Readings. New York: Prentice

Hall, 1953.

Diaz, Vicente M. “Oceania in the Plains: The Politics and Analytics of Transindigenous

resurgence in Chuukese Voyaging of Dakota Lands, Waters, and Skies in Mini Sota

Makhoche.” Pacific Studies, Vol. 42, No. ½–April / August, 2019.

Healing the Canoe Training Center, https://healingofthecanoe.org/suquamish/, Accessed 20

October 2019.

Low, John N. Imprints: The Pokagon Band of Potawatomi Indians and the City of Chicago.

Kindle Edition, Michigan State U P, 2016.

McAvoy, Leo, Paul Shirilla & Joseph Flood. “American Indian Gathering and Recreation Uses

of National Forests.” Proceedings of the 2004 Northeastern Recreation Research

Symposium, 2004.

“Recreation.” The Living Webster Encyclopedic Dictionary of the English Language, 1974.

“Recreation.” https://www.lexico.com/en/definition/recreation, accessed 17 October 2019.

“Tenting on Historic Ground: American Canoe Association’s Romantic Surroundings at Croton

Point.” New York Times, 15 July 1894.

“The Canoe ‘Boom’.” New York Times, 19 June 1880.

Dunkin, Jessica. Canoe and Canvas: Life at the Encampments of the American Canoe

Association, 1880-1910. U of Toronto P, 2019.

Tynjala, Kate. “Canoes: Indigeneity, Relocation, and Maintaining Tradition,” American Indian

Studies, https://cla.umn.edu/ais/news-events/story/canoes-indigeneity-relocation-and

-maintaining-tradition

The Midwest & the Mississippi: Reflections and Keywords

 

In May 2019, the members of our Humanities Without Walls team for the project “Indigenous Art and Activism in Changing Climates: The Mississippi River Valley, Colonialism, and Environmental Change” met for the second time. We visited sites in Chicagoland, focusing on the tributaries of the Mississippi and their vast reach from the homelands of the Three Fires Confederacy  (Ojibwe, Odawa, and Potawatami), as well as from the lands of the Menominee, Miami, and Ho-Chunk nations, which remain home to many Native peoples. We listened to Dr. Ashley Falzetti (Miami) and Dr. John Low (Potawatomi), who discussed Miami and Potawatomi alluvial histories, before viewing a Ralph Frese birchbark canoe and then going on the water at Skokie Lagoons. Dr. Margaret Pearce (Potawatomi) conducted a mapping workshop with us, and we also visited with Indigenous futurist artist Santiago X (Coushatta/ Chamoru) at one of the sites for his two earthwork projects in Chicago that he is creating in partnership with the American Indian Center. Drawing on this meeting as well as the previous one in Minneapolis, the graduate student team members came up with keywords that reflect the processes and methodologies we are engaging with and thinking through as this project continues.

  • John Low discusses canoe travel in the Great Lakes.

In the next few posts on The Repatriation Files, we will share these keywords and use them to gesture toward how we see the project’s next steps unfolding. Shaped by the input of the artists/activists/scholars we’ve encountered, the keywords represent our take on concepts that have guided our understanding of Indigenous art and activism in the Mississippi River Valley. The accompanying digital maps help visualize the concepts of collaboration, place-based learning, and remapping on the one hand, and give visibility to Indigenous art and activism by highlighting the Native Midwest on the other.

Native American History Month: 2019

Every November since 1990, cultural and educational institutions across the US recognize the Indigenous peoples of this country with programming dedicated to celebrating Native American History Month. For The Repatriation Files, it is a good time to reflect on the past year in Indian Country—this highs and the lows—and to reacquaint readers with news and events from the more than 500 Native Nations recognized by the federal government.

The year 2019 began with a confrontation between high school students wearing MAGA hats and Native activist Nathan Phillips—an event chronicled in a January issue of this blog (“Nathan Phillips: An Elder for All Americans”).

  “as the non-Indian struggles in solitude and despair, he curses the Indian for not coveting the same disaster.”

Vine Deloria, Jr.

August saw the last edition of News from Indian Country, a Native owned and operated news outlet from Hayward, Wisconsin. Longtime editor, Paul DeMain recalled the early days of the publication:

News From Indian Country started publishing in 1987 and all three of these men [Pipe Mustache, Archy Mosay,  and Richard LaCourse], along with Indigenous women like Janet McCloud, Rose Mary Robinson and Wilma Mankiller, and even a young woman named Winona LaDuke could be found in the pages of our earliest newspaper, the one now putting its last hard copy to bed.

We have survived the controversies of the last 40 years, a written testament to opinions of the widest dimensions. Treaty rights, taxing authority, identity, spiritualism, healing, war, trauma, battles between relatives, nations and international personalities (“33 Years of Publishing”).

Out west, the Yurok Nation was successful in its quest to have the Klamath River, the lifeblood of the Yurok homeland, the rights of personhood under the law. Following the example of the White Earth Band of Ojibwe, who used the concept to designate wild rice (manoomin) as deserving the same protections as human beings.

“From New Zealand to Colombia, the powerful idea that nature has rights is taking root in legal systems.”

David Boyd, U.N. Special Rapporteur on Human Rights and the Environment

 

Following the UN Declaration on the Rights of Indigenous Peoples, more tribal communities have sought to rethink how they might protect sacred sites and their environment. According to High Country Times, “Legal personhood provides a different framework for dealing with problems like pollution, drought and climate change, though no case has yet been brought to put the Whanganui, Manoomin or Klamath rights to the test in court. The crucial aspect to establishing these legal frameworks, Indigenous lawyers say, involves shifting relationships and codifying Indigenous knowledge — in other words, recognizing non-human entities not as resources, but as rights-holders.

2019 was also the year that the Ponca leader Standing Bear was honored as a civil rights pioneer with a statue in the US Capitol building. As the Washington Post and the Smithsonian Magazine have reported, the statue commemorates the efforts of Standing Bear to overturn US law that in 1879 ruled that “an Indian was neither a person nor a citizen.” Standing Bear, the first Native person to offer testimony in federal court, argued that he and his community had the right to remain in their homeland, rather than be removed to Oklahoma. The presiding judge eventually agreed, ruling that “an Indian is a ‘person’ within the meaning of the laws of the United States” and that “no rightful authority exists for removing by force any of the relators to the Indian Territory.”

“That hand is not the color of yours, but if I pierce it, I shall feel pain. If you pierce your hand you also feel pain. The blood that will flow from mine will be of the same color as yours. I am a man. The same god made us both.”

Standing Bear

Read more: Standing Bear

In the next post, we will explore Native American history month from the perspective of a recent presidential declaration that has overlaid this commemoration with something called “National American History and Founders Month.”

 

Positionality & Poetics of the River

Agléška R. Cohen-Rencountre (PhD student in American Studies, U of Minnesota):

The Bdote, “where the two waters come together,” at the confluence of the Mississippi and Missouri Rivers.

Questions to mull over:

  1. What are the individual stakes or outcomes that each of us are envisioning (this might be in academic terms; in collaborative practices; in terms of our own art and activism; in terms of our institutional and public pedagogies, etc.)

This is a really special project to me because I have the opportunity to engage active healing in terms of my ancestral stories that I have just begun to learn about.

The stakes include insider/outsider positionality as a descendant of Dakota exile and Fort Snelling imprisonment, as well as an Indigenous researcher, and as an Ina (mother) to my Dakota children.

I envision both the academic and collaborative practices being paramount to my growth through this work. I want to further entangle myself within my Indigenous, Dakota and Lakota responsibilities and the opportunities that I can both create and receive through my home institution.

  1. What are the conceptual stakes for each of us in a project that exists at the confluence of academic notions of the humanities and walls, and of Native notions of humanness as it is forged in relation to rivers?

I recall being at the headwaters and later talking within our group, questioning what significance the headwaters held and holds for Dakota and Ojibwe people. That question helped me de-naturalize the western ontological gaze of the cartographers who represent imperialism.

As far as Native notions of humanness and how it is shaped by rivers, this is the heart of what I will become further entangled in. I have heard that there is a place near Fort Snelling (presumably The Bdote—for there may be many such places), where during the winter the river freezes and you can step inside a tunnel of frozen water and listen to the river. If I have remembered correctly and this is something I will experience, it is a source of future humanness that I have yet to experience but already wish to share with others—especially my wife and our children. Growing up as kids we always had access to our local lakes and creeks. It was a given that one would familiarize oneself to them all every chance that there was – and we did thanks to my parents. When we got older, growing up during the winter meant knowing about death near the water, so for me the seasonal changes near the water were really stark. This new and important way to familiarize myself to the Mississippi, from season to season is a confluence of inter-tribal affiliation, intergenerational healing, and multidisciplinary collaboration. I know that sacred sites are not really for me say much about in terms of what the stakes are. Which is also to say that I am deeply invested in them but do not really need or have a way of writing about what this means in terms of humanness.

  1. How are we as individuals and as collaborators conceiving of “changing climates”?

Changing climates means looking at the health of the ecosystems that each prospective agency of recreation, fishing, dumping, and extraction exact upon the overall health of the water. Changing climates due to reintroduction of native species (wolf), or protection of them (eel), are something that I am aware of but do not yet understand through the specific innumerable lifeways hosted by the Mississippi. Finally, climate change in terms of global warming remind me of a music video that Vince shared with us ‘Rise : From One Island to Another’. The anonymous author writes on the collective’s website an invitation to viewers that reads: “Watch this poetic expedition between two islanders, one from the Marshall Islands, and one from Kalaallit Nunaat (Greenland), connecting their realities of melting glaciers and rising sea levels. Kathy Jetñil-Kijiner and Aka Niviâna use their poetry to showcase the linkages between their homelands in the face of climate change.”

The cinematography and poem have stayed with me. The imagery unhinged my land-based, ‘fly-over state’, mixed rural/urban positionalities. When I think of climate change I do not just see weary scientists defending their research in faraway lecture halls, or climate change deniers taking up where pro- Indian Termination fishing and hunting sportsman leave off. I now feel the call from all around, through the water right at my fingertips of my home, local areas and the ocean. All connected through prayer and activism. Through beautiful poetry that connects rather than disaggregates knowledge.

Three Infographic Reflections

By Bonnie Etherington (PhD Candidate in English, Northwestern)

This is a continuation of the observations made by participants in the Humanities without Walls grant: “Indigenous Art and Activism in Changing Climates: The Mississippi River Valley, Colonialism, and Environmental Change”

Reclaiming Native Space Along the Upper Mississippi—A Photo Essay

Sara Černe (PhD candidate in English, Northwestern

As someone born and raised in Central Europe, I came to the Mississippi River via music: roots rock at first, the blues only later—a backwards trajectory for sure. I associated the river with the vastness of America; with Mark Twain and antebellum steamboats; with African American musical traditions; and with Tina Turner’s cover of “Proud Mary,” of course. Neither Native Americans nor the Upper Mississippi figured in that vision. Writing my dissertation on environmental justice in twentieth- and twenty-first-century literature and culture along the Mississippi at Northwestern University, I have now gone beyond the pop culture understanding of the river, but until recently, the Upper River and Indigenous populations remained conspicuously absent from my research.

In other words, I came to the Humanities Without Walls-sponsored research trip to Minnesota for a collaborative project on Indigenous art and activism in the Mississippi River Valley with very little background in American Indian Studies. I left with a much better understanding of the Dakota and Ojibwe history and present and the importance of the spaces we visited to Indigenous communities native to the area, humbled by the experience.

Wild rice and reflected skies at Lake Itasca, MN—Minnesota’s name is derived from the Dakota phrase ‘Mni Sota Makoce,’ translated as ‘land where the waters reflect the clouds.’

In taking photographs of these places—Lake Itasca in Northern Minnesota; Indian Mounds Park and Wakan Tipi in St. Paul; and the Bdote, the confluence of the Mni Sota Wakpa and the Hahawakpa rivers, the Minnesota and the Mississippi, on the edges of the Twin Cities metro area—I looked for ways in which Native presence, historically as well as presently, is seen, felt, and experienced. Instead of fixating on the myriad ways the US state has worked to disenfranchise and erase Indigenous populations, I wanted to focus on the many acts of perseverance I was witnessing all along the Upper Mississippi.

My first tobacco offering to the Mississippi River at the Headwaters, beginning its 90-day journey to the Gulf of Mexico

The various educators’ and activists’ efforts at regenerating, revitalizing, and reclaiming Native spaces establish firmly Indigenous presents as well as futures. Such actions include cleaning up sacred sites that had been reduced to toxic waste grounds; leading Nibi Walks for water; teaching about the places along the river from an Indigenous point of view using American Indian languages and place names; and marking the areas with Indigenous art.

Grant participants Prof. Jacki Rand (University of Iowa) and Agléška Cohen-Rencountre (University of Minnesota) wading in the Mississippi Headwaters at Itasca, MN.

The Sacred Dish by Duane Goodwin At Indian Mounds Park, St. Paul, MN.

 

In this last category of public art, I would like to highlight two sculptures of Native women—standing rocks, so to speak—that mark their respective spaces as Indigenous even when no one else is around. The first is the 2005 bronze Headwaters—Caretaker Woman by Jeff Savage, a member of the Fond du Lac Band of Lake Superior Chippewa, at Itasca; the second is the 2006 dolomitic limestone The Sacred Dish by Duane “Dewey” Goodwin, a member of the White Earth Band of Ojibwe, in Indian Mounds Park.

Emphasizing Native American feminine cosmology in which women are seen as the custodians of water and earth, the two sculptures pay tribute to the ancestors and speak to the importance of traditional knowledge and practices for the health of the planet and future generations. They also serve as beautiful and unequivocal reminders that these places I was lucky enough to visit are Indigenous—yesterday, today, and tomorrow.

Headwaters—Caretaker Woman by Jeff Savage in Itasca State Park, MN .

Indigenous Environmental News, November, 2017

Recent Articles in the New York Times have focused on Native environmental news as part of the paper’s recognition of Native American Heritage Month. In this post, I offer readers a set of three pieces that caught my eye last week.

Derrick Pottle, a lifelong resident of Labrador, on sea ice near Rigolet. Livia Albeck-Ripka/The New York Times

Livia Albeck-Ripka, “Why Lost Ice Means Lost Hope for an Inuit Village.” November, 25, 2017.

Victor Jay Blue, “The Horses at Standing Rock Get a Checkup” (Nov. 23, 2017)

Kallen Harrison with his mare, Oreo. Behind them are volunteers from the Rural Veterinary Experience Teaching and Service program, which provides free and low-cost care to horses in areas with few veterinarians. Credit Victor J. Blue for The New York Times

Brendan Jones, “A Gold Rush in Salmon Country.”

Sockeye salmon in a river near Bristol Bay in southwestern Alaska, where a company wants to mine gold beneath spawning grounds. Credit Trout Unlimited